J.J. Grey — Move It On
From Jambands.com:
JJ Grey & MOFRO have been gradually making a name for themselves since the early side of this decade, and following this summer’s release of their fourth studio album, Orange Blossoms, it looks like things are going to keep getting bigger and bigger for the front porch soul man from Jacksonville, Florida. The 2007 release of Country Ghetto saw JJ Grey’s music break out into a larger audience with the help of quality promotion and a good deal of radio play. But with Orange Blossoms, it’s starting to seem as though Grey and his MOFRO cohorts are finally being seen and heard with the crossover appeal they’ve held from the start.
Compared to Blackwater, MOFRO’s 2001 studio debut, Orange Blossoms has a much more refined sound that gets closer to the point and distills the essence in a quicker manner. However, when JamBase spoke with Grey about the album, he didn’t exactly agree with the “refined” idea. Continue Reading…
Django Reinhardt — Minor Swing
Jean-Baptiste “Django” Reinhardt (January 23, 1910 — May 16, 1953) was a Belgian Sinto Gypsy jazz guitarist. He was one of the first prominent jazz musicians to be born in Europe, and one of the most renowned jazz guitarists of all time. His most renowned works include “My Sweet”, “Minor Swing”, “Tears”, “Belleville”, “Djangology” and “Nuages”. Reinhardt spent most of his youth in gypsy encampments close to Paris, playing banjo, guitar and violin from an early age professionally at Bal-musette halls in Paris. He started first on the violin and eventually moved on to a banjo-guitar that had been given to him and his first known recordings (in 1928) were of him playing the banjo.At the age of 18 Reinhardt was injured in a fire that ravaged the caravan he shared with Bella, his first wife. They were very poor, and to supplement their income Bella made imitation flowers out of celluloid and paper. Consequently, their home was full of this highly flammable material. Returning from a performance late one night, Django apparently knocked over a candle on his way to bed. While his family and neighbors were quick to pull him to safety, he received first- and second-degree burns over half his body. His right leg was paralyzed and the third and fourth fingers of his left hand were badly burnt. Doctors believed that he would never play guitar again and intended to amputate one of his legs. Reinhardt refused to have the surgery and left the hospital after a short time; he was able to walk within a year with the aid of a cane. In 1934, Louis Vola formed the “Quintette du Hot Club de France” with Reinhardt, violinist Stéphane Grappelli, Reinhardt’s brother Joseph and Roger Chaput on guitar, and himself on bass.The concept of “lead guitar” (Django) and backing “rhythm guitar” (Joseph Reinhardt/Roger Chaput or Pierre Ferret) was born with that band. When World War II broke out, the original quintet was on tour in the United Kingdom. Reinhardt returned to Paris.Reinhardt survived World War II unscathed, unlike the many Gypsies who perished in the porajmos, the Nazi regime’s systematic murder of several hundred thousand European Gypsies, quite a few of whom were sent to death camps. He was especially fortunate because the Nazi regime did not allow jazz to be performed and recorded. He apparently enjoyed the protection of the Luftwaffe officer Dietrich Schulz-Köhn, nicknamed “Doktor Jazz”, who deeply admired his music. Many musicians have expressed admiration for Reinhardt , including guitarist Jimmy McCulloch, classical guitarist Julian Bream; country artist Chet Atkins, who placed Reinhardt #1 on a list of the ten most influential guitarists of the 20th century ; Latin rocker Carlos Santana; blues legend B.B. King; the Grateful Dead’s Jerry Garcia; Black Sabbath’s Tony Iommi; Jimi Hendrix; Synyster Gates; Shawn Lane; Stevie Ray Vaughan; Derek Trucks; Mark Knopfler; Les Paul; Joe Pass; Peter Frampton; Denny Laine; Jeff Beck; Jon Larsen; Trey Anastasio; Steve Howe; Charlie Christian and George Benson. Jimi Hendrix is said to have named one of his bands the Band of Gypsys because of Django’s music. The Allman Brothers Band song “Jessica” was written by Dickey Betts in tribute to Reinhardt — he wanted to write a song that could be played using only two fingers. This aspect of the artist’s work also motivated Black Sabbath guitarist Tony Iommi, who was inspired by Reinhardt to keep playing guitar after a factory accident that cost him two fingertips.
Grateful Dead — Radio City Music Hall (1980)
Just some cool relics from 1980. Here we have Jerry and Bobby at a press conference announcing the shows:
Widespread Panic — Los Angeles, CA (11/11/1993) with Trey Anastasio & Page McConnell
Set I
01. Pleas
02. Space Wrangler >
03. Henry Parsons Died >
04. Travelin’ Light
05. Diner >
06. Pilgrims >
07. Hatfield
08. Walkin’ >
09. Holden Oversoul
10. Love Tractor
Set II
01. The Take Out >
02. Porch Song
03. Can’t Get High >
04. Worry
05. Makes Sense To Me*
06. Little Kin
07. Chilly Water >
08. Fishwater
09. Pickin’ Up The Pieces
10. Heroes >
11. Mercy >
12. Wonderin’
13. Mr. Soul
Encore:
05. Get Up Early In The Morning**
06. Low Spark Of High Heeled Boys*** >
07. Time Is Free Jam*** >
08. Low Spark Of High Heeled Boys***
* with T. Lavitz on piano
** with T. Lavitz on piano, Trey Anastasio on guitar
*** with Page McConnell on organ, Trey Anastasio on guitar
Bob Marley & The Wailers — Concrete Jungle
Taken from Bob Marley and The Wailers’, 1972 major label debut, Catch A Fire. Interesting tidbit on the cover art for Catch A Fire taken from Wiki:
The first 20,000 copies of the original 1973 vinyl release were encased in a sleeve depicting a Zippo lighter. The sleeve functioned as a Zippo lighter case would, opening at a side hinge to reveal the record within. However, producers soon realized that this operation would require hand-manufacture, as machinery available was not sufficient to rivet the upper and lower halves of the sleeve together. Copies of the record from these original pressings have since become collectors’ items.
Rolling Stone reviewed the re-release in 2001:
The deluxe edition of Bob Marley and the Wailers’ 1973 breakthrough, Catch a Fire, is like one of those before-and-after photos of dieters: Disc One offers the unretouched – and little-heard – original Jamaican mix, Disc Two the familiar international version produced several months later by Marley and Island Records founder Chris Blackwell. This is the rare reissue project that expands what we know about a classic; the lavishly illustrated Deluxe Edition provides a glimpse into the engine room of one of the most important rhythm sections of the Seventies, and offers a new way to appreciate enduring calls to consciousness such as “Slave Driver,” “400 Years” and “No More Trouble.” Continue Reading…
Recorded for English television in 1972:
Brothers Past — Cleveland, OH (11/17/2006)
Set One:
01 – Jam ->
02 – Lunar Cycle ->
03 – Let’s Start A Gang ->
04 – Lunar Cycle
05 – banter
06 – Year Of The Horse
07 – One Rabbit Race ->
08 – Squeeze ->
09 – One Rabbit Race
Set Two:
01 – tuning
02 – Race For The Prize
03 – Panic In The Streets ->
04 – Monsters Come Out At Night
05 – banter
06 – Bright Side Parade
07 – Life On A Boomerang ->
08 – Forget You Know Me ->
09 – Squeeze
10 – crowd/banter
11 – What’s On Your Mind
Phish — 9 Years Ago Today
09/18/99 Coors Amphitheatre, Chula Vista, CA
Set I: Tweezer, Roses are Free, Wilson, Maze, Brian and Robert, Tube, Rocky Top
Set II: Boogie On Reggae Woman, Meatstick, Free, Bouncing Around the Room, Harry Hood, Frankenstein, Cavern
Encore: Contact, Tweezer Reprise
Beastie Boys — Reading, UK (8/29/1998)
This recording catches the Beasties at the Reading Festival in the United Kingdom.
RIP — Jimi Hendrix
Jimi Hendrix died on this date in 1970. There have been many theories to how he passed, from crazy government conspiracies to bitter, angry management settling a score. Whatever the case, Jimi was only in the spotlight for four years, but his influence is heard in almost every guitar solo you hear. RIP Jimi.











